With his astonishingly accomplished guitar playing, Stevie Ray
Vaughan ignited the blues revival of the '80s. Vaughan drew equally
from bluesmen like Albert King, Otis Rush, and Muddy Waters and
rock & roll players like Jimi Hendrix and Lonnie Mack, as well
as the stray jazz guitarist like Kenny Burrell, developing a
uniquely eclectic and fiery style that sounded like no other
guitarist, regardless of genre. Vaughan bridged the gap between
blues and rock like no other artist had since the late '60s. For
the next seven years, Stevie Ray was the leading light in American
blues, consistently selling out concerts while his albums regularly
went gold. His tragic death in 1990 only emphasized his influence
in blues and American rock & roll.
Born and raised in Dallas, Vaughan began playing guitar as a child,
inspired by older brother Jimmie. When he was in junior high
school, he began playing in a number of garage bands, which
occasionally landed gigs in local nightclubs. By the time he was
17, he had dropped out of high school to concentrate on playing
music. Vaughan's first real band was the Cobras, who played clubs
and bars in Austin during the mid-'70s. Following that group's
demise, he formed Triple Threat in 1975. Triple Threat also
featured bassist Jackie Newhouse, drummer Chris Layton, and
vocalist Lou Ann Barton. After a few years of playing Texas bars
and clubs, Barton left the band in 1978. The group decided to
continue performing under the name Double Trouble, which was
inspired by the Otis Rush song of the same name; Vaughan became the
band's lead singer.
For the next few years, Stevie Ray Vaughan and Double Trouble
played the Austin area, becoming one of the most popular bands in
Texas. In 1982, the band played the Montreux Festival and their
performance caught the attention of David Bowie and Jackson Browne.
After Double Trouble's performance, Bowie asked Vaughan to play on
his forthcoming album, while Browne offered the group free
recording time at his Los Angeles studio, Downtown; both offers
were accepted. Stevie Ray laid down the lead guitar tracks for what
became Bowie's Let's Dance album in late 1982. Shortly afterward,
John Hammond, Sr. landed Vaughan and Double Trouble a record
contract with Epic, and the band recorded its debut album in less
than a week at Downtown.
Vaughan's debut album, Texas Flood, was released in the summer of
1983, a few months after Bowie's Let's Dance appeared. On its own,
Let's Dance earned Vaughan quite a bit of attention, but Texas
Flood was a blockbuster blues success; receiving positive reviews
in both blues and rock publications, reaching number 38 on the
charts, and crossing over to album rock radio stations. Bowie
offered Vaughan the lead guitarist role for his 1983 stadium tour,
but he turned him down, preferring to play with Double Trouble.
Vaughan and Double Trouble set off on a successful tour and quickly
recorded their second album, Couldn't Stand the Weather, which was
released in May of 1984. The album was more successful than its
predecessor, reaching number 31 on the charts; by the end of 1985,
the album went gold. Double Trouble added keyboardist Reese Wynans
in 1985, before they recorded their third album, Soul to Soul. The
record was released in August 1985 and was also quite successful,
reaching number 34 on the charts.
Although his professional career was soaring, Vaughan was sinking
deep into alcoholism and drug addiction. Despite his declining
health, Vaughan continued to push himself, releasing the double
live album Live Alive in October of 1986 and launching an extensive
American tour in early 1987. Following the tour, Vaughan checked
into a rehabilitation clinic. The guitarist's time in rehab was
kept fairly quiet, and for the next year Stevie Ray and Double
Trouble were fairly inactive. Vaughan performed a number of
concerts in 1988, including a headlining gig at the New Orleans
Jazz & Heritage Festival, and wrote his fourth album. The
resulting record, In Step, appeared in June of 1989 and became his
most successful album, peaking at number 33 on the charts, earning
a Grammy for Best Contemporary Blues Recording, and going gold just
over six months after its release.
In the spring of 1990, Stevie Ray recorded an album with his
brother Jimmie, which was scheduled for release in the fall of the
year. In the late summer of 1990, Vaughan and Double Trouble set
out on an American headlining tour. On August 26, 1990, their East
Troy, WI, gig concluded with an encore jam featuring guitarists
Eric Clapton, Buddy Guy, Jimmie Vaughan, and Robert Cray. After the
concert, Stevie Ray boarded a helicopter bound for Chicago. Minutes
after its 12:30 a.m. takeoff, the helicopter crashed, killing
Vaughan and the other four passengers. He was only 35 years
old.
Family Style, Stevie Ray's duet album with Jimmie, appeared in
October and entered the charts at number seven. Family Style began
a series of posthumous releases that were as popular as the albums
Vaughan released during his lifetime. The Sky Is Crying, a
collection of studio outtakes compiled by Jimmie, was released in
October of 1991; it entered the charts at number ten and went
platinum three months after its release. In the Beginning, a
recording of a Double Trouble concert in 1980, was released in the
fall of 1992 and the compilation Greatest Hits was released in
1995. In 1999, Vaughan's original albums were remastered and
reissued, with The Real Deal: Greatest Hits, Vol. 2 also appearing
that year. 2000 saw the release of the four-disc box SRV, which
concentrated heavily on outtakes, live performances, and
rarities.